Partch, Harry - periodical articles

"Ex-Hobo Partch, Composer and Inventor Dies at 73." Billboard, 21 September 1974, 61.

"Goblin Music?" Time (March 24, 1952): 44.

"Harry Partch Speaks Here Wednesday." Golden Gater (SF State College), 17 April 1953, 1, 3.

"Harry Partch." Who Was Who in America/With World Notables, vol. 6 (1974-76), 317.Post 1974.

"Harry Isn't Kidding." Time (5 July 1963): 50."Harry Isn't Kidding." Letters Written by Partch and David Ward-Steinman. Time (19 July 1963): 10.

"Harry Partch." Symphony News, (October--November 1974): 32.

"Harry Partch Dead at 73." Rolling Stone, 10 October 1974, 22.

"Harry Partch Reviews Yasser's Theory of Evolving Tonality." Interval 4 (1985): 5-6.

"Here & There." High Fidelity/Musical America (December 1974): MA-27.

"In the Press: When the Topic Is Music." BMI. The Many Worlds of Music (March 1970): 8-9.

"In the Press: Latter-Day Quixote." BMI, The Many Worlds of Music (November-December 1968): 40.

"In the Press: Harry Partch, Rebel." BMI. The Many Worlds of Music (Febru- ary 1972): 16-17.

"Kithartist." New Yorker, May 27, 1944, 21-22.

"Milestones." Time 16 September 1974, 79.

"Musicology." Times Literary Supplement, 29 September 1950, 615.

"New Music by a Composer Who Composes Instruments." Woman's Day, November 1957, 5-6.

"Sight and Sound." A Review of The World of Harry Partch (Columbia Records MS-7207,1969). McCall's, June 1969, 12.

"The Harry Partch Fund." Interval 4 (1985): 45.

"The Artist in Society: Discussion." Arts in Society (Fall-Winter 1962-63): 61-69.

"The Musical Whirl." High Fidelity/Musical America, February 1967, MA 16-17.

"Tonal Ingenuity." Review of Plectra and Percussion Dances by Harry Partch, (Harry Partch Trust Fund Edition, 1953) Audio Engineering (March 1954): 37-38.

"Who? . . . A Guide to Party Conversation: Harry Partch." National Observer, 22 December 1969, 18.

A Review of The Delusion of the Fury by Harry Partch (Columbia Records M2-30576, 1971). Playboy, February 1972, 38.

A Review of the Recording of Revelation if the Courthouse Park by Harry Partch. From the American Musical Theater Festival, Oct 8, 1987. Fanfare 14 February 1990, 28-31.

A Review of the production of The Bewitched by Harry Partch. Dance News (May 1959): 10-11.

Applebaum, Samuel and Sada Applebaum. Violins and Violinists 11 (May-June 1950): 181.

Archer, William Kay. "Microtonality Revisited." Etc.: A Review of General Semantics 8 (1951): 146-50.

Barbour, J. Murray. Musical Quarterly 36 (1950): 131-35.

Baronijan, Vartkes. "Hari Perc-Graditlj sa Zapadne Obale." Zvuk: Jugoslovnska Muzicka Revija (1969): 231-32.

Barzun, Jacques. "Distrust of Brains." The Nation, 6 January 1945, 18-19.

Barzun, Jaques. "Genesis of a Music." In American Panorama, ed. by Eric Larrabee. New York: New York University Press, 1957.

Baxten, Robert. A Review of the Production of Revelation if the Courthouse Park by Harry Partch at the American Musical Theater Festival, Oct 8, 1987. Opera 39 (February 1988): 207; Opera News 52 (January 1988): 34.

"Earviews: The Music of Harry Partch." A Review of the Recording The Music of Harry Partch. (CRI, CD-7000, 1989). Ear 14 (November 1989): 52-3.

Bowen, J. David. "Harry Partch's Music between the Keys." Hi Fi/Stereo Review, February 1961, 50-53. To be annotated.

Bowen, Meiron. "Harry Partch." Music and Musicians (May 1968): 20-25.

Bowen, Meirion. "Notes on a Lone Wolf." The Guardian, 27 April 1974, (Arts Guardian section) 8.

Brink, Margaret J. "St. Louis: Harry Partch on Film." Musical Magazine/Musical Courier (7 August 1962): 23.

Broomer, Stuart. "Harry Partch: 1901-1974. In Appreciation." Coda (December 1974): 25.

Brozen, M. "Harry Partch: Music and Instruments." A Review of a Concert of Music by Harry Partch (Whitney Museum of Art, NY, September 1968.). High Fidelity/Musical America (December 1968): MA 17.

Cadman, B. Meredith. "New Musical Philosophy." Etude 67 (Augus 1949): 467.

Cage, John. "South Winds in Chicago." Modern Music (May-June 1942): 263.

Canby, Edward Tatnall. A Review of The Delusion of the Fury by Harry Partch (Columbia Records M2-30576, 1971). Audio, August 1972, 55-56.

Chase, Gilbert. "New Sources for New Music." Inter-American Institute for Musical Research Yearbook 3 (1967): 77-84.

Chase, Gilbert. "Toward a Total Musical Theatre." Arts in Society (Spring-Summer 1969): 26-37.

Choice 11 (1974): 1321.

Cohen, Selma Jeanne. "'The Bewitched.'' A Review of the New York Production of The Bewitched by Harry Partch. Dance Magazine, June 1959, 27, 29.

Cott, Jonathan. "The Forgotten Visionary." Rolling Stone, 11 April 1974, 32-34.

Cowell, Henry. "43-Tone Minstrelsy." Saturday Review 26 November 1949, 65.

Daniel, Oliver. "Harry Partch." Music at Home (January-February 1955): 30-33, 46-47.

Davis, Peter G. "Composer Harry Partch--With Boo and Eucal Blossom." High Fidelity, January 1969, 30, 36.

Dery, M. "Bang a Gong: The Do-It-Yourself Musical Universe of Harry Partch." Keyboard Magzine, 16 June 1990, 49-54.

Dery, M. "At the Top of the Inferno: The Top Undergroud Albums of 1989." A Review of the Recording The Music of Harry Partch. (CRI, CD-7000, 1989). Keyboard Magazine, 16 June 1990, 24-25.

Dickenson, Peter. Tempo (December 1976): 41-43.

Diegel, Margaret. A Review of The World of Harry Partch (Columbia Records MS-7207, 1969). Stereo, Fall 1969, 83.

Drummond, Dean. "Ear Liberation-The Music of Harry Partch." Protos (November 1970).

Duennling, A. "First Lady zeitgen”ssischer Musik." Neue Zeitschrift Fr Musik 152 (Feb 1991): 6-12.

Earls, Paul. "Harry Partch: Verses in Preparation for 'Delusion of the Fury." Inter-American Institute for Musical Research 3 (1967): 1-32. Ellsworth, Ray. "Americans on Microgrove." High Fidelity, August 1956, 63-64.

Fitch, Johannes. "Die Tonalitt des Harry Partch." in Avantgarde Jazz Pop Tendenzen zwischen Tonalitt und Atonalitt. Neue Vortagstexte, ed. by Reinhold Brinkmann. Mainz: Schott, 1978: 31-41. To be annotated.

Ellsworth, Ray. "Americans on Microgrove." High Fidelity, August 1956, 63-64.

"A Modern Dance, Its in the Bag." A Review of the Premier of The Bewitched by Harry Partch. Life (July 1 1957): 76.

Ellsworth, Ray. "The Weird, Wonderful World of Harry Partch." A Review of The Bewitched by Harry Partch (Gate 5 Records, 1957) The American Record Guide, October 1958, 110-112.

Etc: A Review of General Semantics II. Review of Plectra and Percussion Dances by Harry Partch, (Harry Partch Trust Fund Edition, 1953) (1954): 316-317.

Evett, Robert. "The Bewitched." A Review of a performance of The Bewitched by Harry Partch. New Republic, 25 May 1959, 23.

Flanagan, William. A Review of The World of Harry Partch (Columbia Records MS-7207, 1969). Stereo Review, July 1969, 90, 92.

Flanagan, William. A Review of From the Music of Harry Partch by Harry Partch (CRI-193, 1964). Stereo Review, June 1965, 76.

Flugg, Darrell E. "Previews and Reviews . . Classroom and Community Films: Delusion of the Fury." A Review of Delusion of the Fury, Film by Margaret Tourtelot, Music by Harry Partch. Film News 30 (1973): 15.

Fox, Charles Warren. Notes 6 (1949): 621-22.Hughes, Charles W. Journal of Aesthetics and Art Criticism 8 (1949): 273-74.

Frankenstein, Alfred. A Review of The World of Harry Partch (Columbia Records MS-7207, 1969). High Fidelity, June 1969, 96.

Frankenstein, Alfred. A Review of The Delusion of the Fury by Harry Partch (Columbia Records M2-30576, 1971). High Fidelity, January 1972, 94, 96.

Frankenstein, Alfred. Review of Plectra and Percussion Dances by Harry Partch, (Harry Partch Trust Fund Edition, 1953) High Fidelity (March 1954): 65.

Freund, David. "Harry Partch." Source 1, January 1967, 95-101.

Friedman, Elliott. "Tonality in the Music of Harry Partch." The Composer 2 (1970): 17-24.

Fuller, Mary. "Harry Partch, Musician-Sculptor." Art in America, December 1964, 47, 49.

Gaburo, Kenneth. "In Search of Partch's Bewitched; Concerning Physicality." Percussionist 23 (1985): 54-84.

Garland, Peter. "Harry Partch's Soundings-Correspondances." Tanslated into German by Herbert Henek. Neuland V (1985): 316-26.

Garland, Peter, Lou Harrison, Tom Nixon, and Laurence Weisberg. "Four Tributes to Harry Partch." Soundings 9 (1975): 1-12.

Gessler, Clifford "Mills College Gives Premiere of 43-Tone Score." Musical America (April 1, 1952): 26.

Gojowy, Detlef. "Symposion unbekannte neue Musik bei der Zagreb Biennale 77." Die Musikforschung 30/4 (1977): 515-516.

Goldberg, Albert. "Los Angeles." A Review of the UCLA Production of The Delusion of the Fury by Harry Partch. Opera News (8 March 1969): 32.

Goldwaite, Scott. "Urbana, Illinois." Musical Quarterly 43 (1957): 390-91.

Graham, Glen. "Revolutionist: Creative Musician 'Hiding Out' Here." Petaluma (California) Argus-Courier, 3 September 1963.

Griffiths, Paul. Musical Times 116 (1975): 144-45.

Hagen, Dorothy. "Americn Festival of Contemporary Music: University of Illinois, 1959." A Review of the Illinois Production of The Bewitched by Harry Partch. Canon (Australia) (November-December 1959): 91-94.

Harrison, Lou. "Season's End, May 1944." Modern Music (May-June 1944): 235-36.

Heath-Taylor, Noel. "Monphony: Looking into the Future." Pacific Coast Musician, August 1939, 2.

Heath-Taylor, Noel. "Artist in the Wilderness." California Arts and Architecture, July 1939, 8, 36.

Henry, Norman. "A Justly-tuned Harpsichord." Just Intonation 1/4 (Fall 1985): 7-9. To be Annotated.

Hentoff, Nat. "Cosma Listens to Records." A Review of The Delusion of the Fury by Harry Partch (Columbia Records M2-30576, 1971). Cosmopolitan, February 1972, 16.

Highwater, Janmake Mamamake. "Hall of Obsurity." Stereo Review, April 1975, 61.

Hiss, Anthony. "Hobo Concerto." A Review of The World of Harry Partch (Columbia Records MS-7207, 1969). The New Yorker, 7 February, 1970.

Hohman, Marv. "Harry Partch." Downbeat, 7 November 1974, 12.

Hollander, Hans. Melos/Neue Zeitschrift fr Musik 1 (1975): 325.

Hyams, Ben. "Arts of This Century: Fifteenth Festival Proves There's More to Hawaiian Life Than Surf and Sun." High Fidelity/Musical America (21 October 1971): MA 24-25.

Jacobi, Peter. "The Strange Relam of Harry Partch." Music Magazine/Musical America (6 July 1962): 14-16.

Johnston, Ben. "The Corporealism of Harry Partch." Perspectives of New Music 13 (Spring-Summer 1975): 85-87.

Johnston, Ben. "Beyond Harry Partch." Perspectives of New Music 22 (1983-84): 223.

Kakinuma, T and M. Fugieda. "I am One of Mr. Ives' Legal Heirs: an Interview with Lou Harrison." Sonus 9 (1989): 46-58. To be annotated.

Kolodin, Irving. "The Sound of Harry Partch." A Review of The World of Harry Partch (Columbia Records MS-7207, 1969). Saturday Review, 31 May 1969, 50.

Kremenliev, Boris. "Ein Ritual von Traum und Wahn in Los Angeles." A Review of the UCLA Production of The Delusion of the Fury by Harry Partch. Melos: Zeitschrift fur Neue Musik (June 1969): 274-76.

Kvistad, Garry, and Allen Otte. "Harry Partch (1901-74): Genesis of a Music. A Review of the New Expanded Edition." Numus West 6 (1974): 28-34.

Laneri, R. A Review of the record New Music for Trumpet. Music by Harry Partch. (Orion ORS-7294, 1972). Stereoplay, April 1974, 111.

Leach, Willford. "Music for Words Perhaps." Theater Arts (January 1953): 65-68.

Leach, Willford. "Music for Words Perhaps." Theater Arts (January 1953): 65-68.

Lederer, Muriel. "Mathematics Makes a New Music: This Experimenter Uses 43 Notes to the Octave and Some Strange Home-Built Instruments--to Create a Startling New Music." Science and Mathematics, December 1960, 74-77.

Lucraft, Howard. "Hollywood Headlines." A Review of Oedipus by Harry Partch (Harry Partch Trust Fund Edition, 1954) Melody Maker, December 18 1954, 9.

Machlis, Joseph. Introduction to Contemporary Music. New York: W. W. Norton, 1961.

Maconie, Robin. "The Well-tempered Bottle." Times Literary Supplement, 17 September 1976, 1178.

Mandelbaum, Joel. Music Educators Journal (December 1975): 93-95.

Mandelbaum, M. Joel. "Multiple Division of the Octave and the Tonal Resources of 19-tone Temperament." Ph. D. diss. Indiana University, 1961.

McGary, Keith. "Music As Challenge." The Anitoch Review (Fall 1949): 421-23.

McVoy, James. American Music Teacher (January 1975):47-48.

Mellers, Wilfred, "New Worlds for Old: a Letter from America." Musical Times 74 (July 1983): 417-421.

Mellers, Wilfred. "Round and About Govecki's Symphony No. 3." Tempo 168 (March 1989): 22-24.

Mellers, Wilfred. "The Avant-Garde in America." Proceedings of the Royal Music Association 90 (1963-63): 1-13.

Mellers, Wilfred. "An American Aboriginal." Tempo: A Quarterly Review of Modern Music (Spring 1963): 2-6.

Mitchell, Danlee. "Percussion in the Orchestra of Harry Partch." Percussionist, April 1966, 37-38.

Moevs, Robert. A Review of The Delusion of the Fury by Harry Partch (Columbia Records M2-30576, 1971). Musical Quarterly 59 (1973): 160-63. To be annotated.

Monson, Karen. "Harry Partch: California's Musical Maverick." Coast Fm & Fine Arts, August 1969, 24-29.

Monsour, John. "The Photography of 'The Dreamer That Remains.'" American Cinematographer, March 1974, 333, 344-45.

Moore, David W. "Delusion of the Fury: A Ritual of Dream and Delusion." A Review of The Delusion of the Fury by Harry Partch (Columbia Records M2-30576, 1971). American Record Guide, July 1972, 544-47.

Morch, Al. "Truth-in-Music." Women's Wear Daily, 17 January 1967, 22.

Musical Courier (15 May 1949): 77.

Newman, Elain W. "Enesco's Oedipus: a Little-known Masterpiece." Current Musicology 26 (1978): 99-105.

Parsons, Bruce. "Former Madisonian harry Partch Does Strange Things with Music." Daily Cardinal, 8 December 1972, (sec. 2) 3, 13.

Partch, Harry. "Ratio Keyboard Design, September 1932." Interval 5 (1986-87): 14-17.

Paul, Eugene. "Percussive Arts Society Hall of Fame 1974: Harry Partch." Percussive Notes (Spring 1974): 22, 40.

Pluth, Linda Schell. "Harry Partch (1901-1974): An American Musical Pioneer." Percussive Notes (Spring 1975): 19-20.

Pluth, Linda Schell. "Harry Partch (1901-1974): An American Musical Pioneer." Percussive Notes (Spring 1975): 19-20.

Pouliot, Stephen. "Filming the Work of Harry Partch or First Get to Know Your Genius." American Cinematographer, March 1974, 322-225, 333.

Ramsey, Basil. Musical Opinion 99 (1976): 239.

Read, Peter Hugh. "The Music of Harry Partch." Review of Plectra and Percussion and Oedipus by Harry Partch (Harry Partch Trust Fund Edition, 1953, 1954) American Record Guide, January 1955, 149-51.

Redewill, Francis H. "Mills College Presents New Score in Production of Yeats." Musical Courier, April 1, 1952, 33.

Rosen, Michael. "Last Year at Oberlin-a Review." Numus West USA 2/1 (Winter 1975): 40-42. To be annotated.

Reviews of the First Edition of Genesis of a Music.

Reviews of Second Edition of Genesis of a Music.

Rich, Alan. "The Hindemith 'Brandenburgs.'" A Review of The World of Harry Partch (Columbia Records MS-7207, 1969). New York, 26 May 1969, 50.

Rich, Alan. A Review of From the Music of Harry Partch by Harry Partch (CRI-193, 1964). High Fidelity, June 1965, 81.

Ringo, James . A Review of The Delusion of the Fury by Harry Partch (Columbia Records M2-30576, 1971). Opera News (22 January 1972): 35.

Rogers, Harold. "Record Review." Good Listening, December 1953, 7, 30.

Sabin, Robert. "Harry Partch Work Has Local Premier." A Review of the New York Production of The Bewitched by Harry Partch. Musical America (June 1959): 19-20.

Salmon, Will. "The Influence of Harry Partch's Delusion of the Fury." Perspectives of New Music 22/1-2 (Fall-Winter 1983/Spring-Summer 1984): 233-52.

Salzman, Eric. "Harry Partch: Organic Foods for souls Tormented by Contem- porary Music." A Review of The Bewitched A Dance Satire by Harry Partch. U. of Illinois Music Ensemble conducted by John Garvey. (CRI SD-304, 1973). Stereo Review, August 1974, 118.

Salzman, Eric. "A Visit with Harry Partch: A New Columbia Release Tells a Little of How it Is in Cloud-Chamber Land." Stereo Review, March 1972, 94. To be annotated.

Santoro, Gene. "Killer Tomatos." A Review of the Recording of Revelation in the Courthouse Park by Harry Partch. From the American Musical Theater Festival, Oct 8, 1987. Downbeat 57 (October 1990): 45.

Sargent, Wintrop. "Musical Events: Whither?"A Review of a Concert of Music by Harry Partch (Whitney Museum of Art, NY, September 1968). New Yorker, 21 September 1968, 137-38.

Schafer, Murray. "New Records." A Review of U. S Highball by Harry Partch (Gate 5 Records, Issue No. 6, 1958). Canadian Music Journal (Winter 1959): 55-58.

Schubart, Margaret. "Bay Area Diary: Partched Sounds." Counterpoint (San Fran) (April 1952): 30.

Shinn, R. "First Greek Study." Perspectives of New Music 15 (1977): 145.

Siwe, Tom, "In Memoriun: Harry Partch (1901-1974)." Perspectives of New Music 13 (Fall-Winter 1974):239.

Smith, J. "The Partch Reverberations: Notes on a Musical Rebel." San Diego Weekly Reader, 25 September 1980; Reprinted in Interval 3/1 (1981): 7; 3/2 (1981): 6.

Smith, J. B. "Instrument Innovations: The Harry Partch Instrument Collection and Ensemble." Percussive Notes 25 (1987): 61-62.

Smith, Cecil. Musical America (1 November 1949): 31.

Sorell, Walter. "Report from New York." A Review of the New York Production of The Bewitched by Harry Partch. Ballet Today, June 1959, 18-19.

Spiker, Ken. "Harry Partch." Earth, March 1971, 70-72.

Stiller, A. "(Revelation in the Courthouse Park) Rethinking Harry Partch." Musical America 110 (1990): 90-92.

Terry, K. "Music of Harry Partch." Downbeat 46 (1975): 85. To be annotated.

The Book Exchange (January 1950): 11."Published by Us." Saturday Review, 7 January 1950, 27.

Tourtelot, Madeline. "Partch: Microtonal Pioneer." Well Tempered Notes (November 1974): 1, 4.

Turok, Paul. Music Journal 33 (1975): 28.

Wehmeyer, Grete. "Klavier in unserem Jahrhundert." Neu Zeitschrift fr Musik 152/2 (1981): 445-52.

Wen-chung, Chou. "Asian Concepts and Twentieth-Century Western Composers." Musical Quarterly 57 (1971): 211-29.

Wernick, Richard. "Genesis of a Music." Journal of Music Theory 20 (1976): 133-37.

Whittal, Arnold. Music Review 36 (1975): 311-14.

Wisckol, M. "Harry Partch: Freedom beyond 12 Tones." Musician Player and Listener 37 (November 1981): 32.

Wood, J. "Microtonality: Aesthetics and Practicality." Musical Times 127 (June 1986): 328-30.

Woodbury, Arthur. "Harry Partch: Corpereality and Monphony." Source 2, July 1967, 91-93.

Yates, Peter. "Genesis of a Music: Composer Harry Partch Builds Own Instruments, Uses 43-Tone Scale, and Incorporates Speech, Dance, and Mime in the Creation of a New Kind of Music Drama." High Fidelity, July 1963, 36-38, 85.

Yates, Peter. Arts and Architecture, July 1953, 33-34.

Yates, Peter. "Schubert, Berg, Partch, Tremblay." Arts and Architecture, January 1958, 35.

Yates, Peter. A Review of Oedipus by Harry Partch (Harry Partch Trust Fund Edition, 1954) Arts and Architecture, December 1954, 33-34.

Yates, Peter. "A Collage of American Composers--Part 3." California Arts and Architecture, January 1959, 4-5, 32-33.

Zimmerman, Paul D. "A Prophet Honored." A Review of a Concert of Music by Harry Partch (Whitney Museum of Art, NY, September 1968). Newsweek, 23 September 1968, 109.

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