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received from chris brown on aug 16 1995 copyright 331w

LP LINER NOTES:

Chris Brown: piano, percussion-piano, electronics design & programming Larry Ochs: tenor and sopranino saxophones William Winant: vibraphone and percussion Scot Gresham-Lancaster: electronics operation and mix

Side A 1. Some of the Part (Ochs) 7:05 2. Edgetime (Ochs) 14:27 3. Snake Charmer (Brown) 6:13

Side B 4. Lobster Time (Ochs) 9:30 5. Post Mortem (Brown) 16:23

Instrumentation: 1. Ochs: tenor sax/ Brown: piano/ Winant: percussion 2. Ochs: sopranino, tenor/ Brown: piano/ Winant: percussion, vibes 3. Ochs: tenor sax, with interactive computer-driven synthesizer 4. Ochs: sopranino sax/ Brown: percussion-piano/ Winant: percussion, vibes 5. same as 2

Recorded live to digital stereo 12/87 at Mills College Center for Contemporary Music, Oakland, California Jay Cloidt, Scot Gresham-Lancaster, and Chris Brown, recording engineers

Produced by Larry Ochs and Chris Brown Executive Producer: Pedro deFreitas Cover Art: Johanna Poethig

CD Liner notes:

Chris Brown: piano, percussion-piano, electronics design & programming Larry Ochs: tenor and sopranino saxophones William Winant: vibraphone and percussion Scot Gresham-Lancaster: electronics operation and mix

The Pieces:

1. Some of the Part (Ochs) 7:05 2. Snake Charmer 1 (Brown) 7:36 3. Lobster Time (Ochs) 9:30 4. Post Mortem (Brown) 16:23 5. Snake Charmer 2 (Brown) 6:13 6. Edgetime (Ochs) 14:27 7. The Match (Steve Lacy) ------

Instrumentation: 1. Ochs: tenor sax/ Brown: piano/ Winant: percussion 2. Winant: percussion and vibes, with interactive computer-driven synthesizer 3. Ochs: sopranino sax/ Brown: percussion-piano/ Winant: percussion, vibes 4. Ochs: sopranino, tenor/ Brown: piano/Winant: percussion, vibes 5. Ochs: tenor sax, with interactive computer-driven synthesizer 6. same as 4 7. Ochs: tenor/ Brown: percussion-piano/ Winant, percussion

Recorded live to digital stereo 12/87 at Mills College Center for Contemporary Music, Oakland, California Jay Cloidt, Scot Gresham-Lancaster, and Chris Brown, recording engineers

except: The Match recorded live to digital stereo 12/86 by Robert Shumaker.

Produced by Larry Ochs and Chris Brown Executive Producer: Pedro deFreitas Cover Art: Johanna Poethig


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